Artist Statement

My practice explores the distinctions between human and machine perception — the contrast between how a body and a sensor each come to understand space and movement. Neither human nor digital perception can simultaneously grasp all spatial perspectives and relationships; each view is partial, each instrument has a blind spot.

I use this gap as a starting point. Working across installation, light, photography and interactive media, I build situations in which a viewer becomes momentarily aware of the apparatus of their own seeing — projectors standing in for eyes, inflated forms standing in for lungs, a camera flash reversed into a beam that no longer captures anything. The work doesn't resolve the contrast between human and machine perspective; it stages it, so the gap itself becomes visible.

Much of this research has taken shape through long-term collaboration — most extensively with Luiza Margan, with whom many of the spatial and projection-based works on this site were developed between 2007 and 2010, and more recently with Maja Ozvaldic and Sasa Fabjan on interActive Window (2016).